Our forebears were better poets than us.

I have been working on administrative things, and have completed that task. This meant I could look for poetry. Then I stumbled onto a metaphysical poet who survived King Philip’s War in the then new colony of Massachusetts. Who may not write as well as Donne, but is of the same school.

How us Colonials have fallen. Modern poetry is dross, and the poets without life experience.

The son of a non-conformist yeoman farmer, Taylor was born in 1642 at Sketchley, Leicestershire, England. Following restoration of the monarchy and the Act of Uniformity under Charles II, which cost Taylor his teaching position, he emigrated in 1668 to the Massachusetts Bay Colony in America.

He chronicled his Atlantic crossing and early years in America (from April 26, 1668, to July 5, 1671) in his now-published Diary.[1] He was admitted to Harvard College as a second year student soon after arriving in America and upon graduation in 1671 became pastor and physician at Westfield, on the remote western frontier of Massachusetts, where he remained until his death.

Taylor’s poems, in leather bindings of his own manufacture, survived him, but he had left instructions that his heirs should “never publish any of his writings,” and the poems remained all but forgotten for more than 200 years.[2] In 1937 Thomas H. Johnson discovered a 7,000-page quarto manuscript of Taylor’s poetry in the library of Yale University and published a selection from it in The New England Quarterly. The appearance of these poems, wrote Taylor’s biographer Norman S. Grabo, “established [Taylor] almost at once and without quibble as not only America’s finest colonial poet, but as one of the most striking writers in the whole range of American literature.”[3] His most important poems, the first sections of Preparatory Meditations (1682–1725) and God’s Determinations Touching His Elect and the Elects Combat in Their Conversion and Coming up to God in Christ: Together with the Comfortable Effects Thereof (c. 1680), were published shortly after their discovery. His complete poems, however, were not published until 1960. He is the only major American poet to have written in the metaphysical style.

Two of his poems.

Meditation 1

What Love is this of thine, that Cannot bee
In thine Infinity, O Lord, Confinde,
Unless it in thy very Person see,
Infinity, and Finity Conjoyn’d?
What hath thy Godhead, as not satisfide
Marri’de our Manhood, making it its Bride?

Oh, Matchless Love! filling Heaven to the brim!
O’re running it: all running o’re beside
This World! Nay Overflowing Hell; wherein
For thine Elect, there rose a mighty Tide!
That there our Veans might through thy Person bleed,
To quench those flames, that else would on us feed.

Oh! that thy Love might overflow my Heart!
To fire the same with Love: for Love I would.
But oh! my streight’ned Breast! my Lifeless Sparke!
My Fireless Flame! What Chilly Love, and Cold?
In measure small! In Manner Chilly! See.
Lord blow the Coal: Thy Love Enflame in mee.

Edward Taylor

Taken yesterday: not New England, but St Clair, Dunedin.

Huswifery

Make me, O Lord, thy Spining Wheele compleate.
Thy Holy Worde my Distaff make for mee.
Make mine Affections thy Swift Flyers neate
And make my Soule thy holy Spoole to bee.
My Conversation make to be thy Reele
And reele the yarn thereon spun of thy Wheele.

Make me thy Loome then, knit therein this Twine:
And make thy Holy Spirit, Lord, winde quills:
Then weave the Web thyselfe. The yarn is fine.
Thine Ordinances make my Fulling Mills.
Then dy the same in Heavenly Colours Choice,
All pinkt with Varnisht Flowers of Paradise.

Then cloath therewith mine Understanding, Will,
Affections, Judgment, Conscience, Memory
My Words, and Actions, that their shine may fill
My wayes with glory and thee glorify.
Then mine apparell shall display before yee
That I am Cloathd in Holy robes for glory.

Edward Taylor

To be a poet, one must live: one must have facility with words. But most of all, you must have something to say. Taylor did. Too many of the current post modern, post existential poets do not.